Andy Garcia
10 Films
Andy Garcia
10 Included Films
Andrés Arturo García Menéndez (born April 12, 1956) is an American actor, director, producer, and musician. He first rose to prominence acting in Brian De Palma's The Untouchables (1987) alongside Kevin Costner, Sean Connery, and Robert De Niro. He continued to act in films such as Stand and Deliver (1988), and Internal Affairs (1990). He then co-starred in Francis Ford Coppola's The Godfather Part III (1990) as Vincent Mancini, for which he was nominated for the Academy Award for Best Supporting Actor. He continued to act in Hollywood films such as Stephen Frears' Hero (1992), the romantic drama When a Man Loves a Woman (1994), and the action thriller Desperate Measures (1998). In 2000, he produced and acted in the HBO television film, For Love or Country: The Arturo Sandoval Story (2000), where he received a Primetime Emmy Award and a Golden Globe Award nominations. He also starred in Steven Soderbergh's Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). In 2005, García directed and starred in the film The Lost City alongside Dustin Hoffman and Bill Murray. He also starred in New York, I Love You (2008), the dramedy City Island (2009), the romantic comedy At Middleton (2013), and the crime thriller Kill the Messenger (2014). He has had supporting roles in Mamma Mia! Here We Go Again, Book Club, The Mule, the HBO television movie My Dinner with Hervé (all 2018), and the title role in the Father of the Bride remake (2022). In 2005, he won both a Grammy and a Latin Grammy Award for producing Cuban musician Cachao's record ¡Ahora Sí!. Description above from the Wikipedia article Andy Garcia, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: Brian De Palma
Director: Brian De Palma
Director: Ramón Menéndez
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.
Director: Mike Figgis
Director: Mike Figgis
Director: Kenneth Branagh
Kino Lorber 4K Blu-ray is encoded in a wrong color space see post "A BT2020->P3 matrix corrects the issue (ignore tonemapping related errors)"
Director: Kenneth Branagh
Kino Lorber 4K Blu-ray is encoded in a wrong color space see post "A BT2020->P3 matrix corrects the issue (ignore tonemapping related errors)"
Director: Steven Soderbergh
Director: Steven Soderbergh
Director: Joe Carnahan
Director: Joe Carnahan
Director: Steven Soderbergh
Director: Morten Tyldum
2D version: Sony 4K Blu-ray
3D version: Sony 3D Blu-ray
2D version: Sony 4K Blu-ray
3D version: Sony 3D Blu-ray
Target exclusive Blu-ray has a bonus disc
Director: Morten Tyldum
2D version: Sony 4K Blu-ray
3D version: Sony 3D Blu-ray
2D version: Sony 4K Blu-ray
3D version: Sony 3D Blu-ray
Target exclusive Blu-ray has a bonus disc
10 films